A diminution study by Francesco Rognoni-Taeggio (b. 2nd half of 16th century; d. in or after 1626) based on the cantus (top) line of an instrumental canzona by Antonio Mortaro da Brescia. The unornamented top line is provided as reference, and the diminution etude (the ornamented line) is on the bottom staff.

Diminutions are written-out ornamentations of popular melodies from the Renaissance and early Baroque. The original melody and text (if applicable) are provided above the diminution as a framework for phrasing and breathing. All diminutions and melody lines are transcribed directly from their original sources. Original barring and note values remain intact. A suggested tempo, or “tactus,” is provided, along with an appropriate subdivision according to typical Renaissance and early Baroque standards.

Level: Advanced