A diminution study by Cosimo Bottegari (1554-1620) based on the cantus (top) line of a madrigal attributed to Leonora Orsina [Orsini]. The unornamented top line is provided as reference, and the diminution etude (the ornamented line) is on the bottom staff.

Diminutions are written-out ornamentations of popular melodies from the Renaissance and early Baroque. The original melody and text (if applicable) are provided above the diminution as a framework for phrasing and breathing. All diminutions and melody lines are transcribed directly from their original sources. Original barring and note values remain intact. A suggested tempo, or “tactus,” is provided, along with an appropriate subdivision according to typical Renaissance and early Baroque standards.

Level: Easy/Intermediate